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Op. 30 No. 4, Mazurka in C# minor

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b.

composition: Op. 30 No. 4, Mazurka in C# minor

in FC (→GE)

No indication in FE (→EE)

Our variant suggestion
..

As in bar 1, the  indication could have been added to FC by Chopin or removed in the stage of proofreading FE or in [A] after the copy had already been prepared. Due to the above, in the main text we suggest a variant solution.

category imprint:

b. 1

composition: Op. 30 No. 4, Mazurka in C# minor

in FC (→GE)

legato in FE (→EE)

Our variant suggestion
..

It is difficult to say how the difference in the indications at the beginning of the piece occurred. As legato was not being removed in FC, it was probably added by Chopin in the stage of proofreading FE or to the basis thereof. One of these scenarios presented an opportunity for a possible removal of , which in FC seems to have been written in Fontana's hand. Due to the above, in the main text we suggest it in a variant form (in brackets). See also bars 13 and 33.

category imprint: Differences between sources; Editorial revisions

issues: No initial dynamic marking , Authentic corrections of FE

b. 1

composition: Op. 30 No. 4, Mazurka in C# minor

Quatre Ma­zurkas in FC (→GE) & FE

Souvenir de la Pologne... in EE

4 Mazurkas suggested by the editors
..

Differences in the wording of the title – see the Mazurka in C minor no. 1.

category imprint: Differences between sources; Editorial revisions

b. 1

composition: Op. 30 No. 4, Mazurka in C# minor

No dedication in FC (→GE)

Dedication in FE (→EE)

Dedication in FE (→EE)
..

The absence of the indication in FC (→GE) suggests that the decision concerning a dedication came relatively late in the publishing process of the Mazurkas. See the Mazurka in C minor no. 1.

category imprint: Differences between sources

issues: Dedications

b. 3

composition: Op. 30 No. 4, Mazurka in C# minor

..

In the main text we add a cautionary  to the f1 minim.

category imprint: Editorial revisions